After The Deluge… Part 4: Dance

ballet dancer

I have made use of dance in my plot, because, well, it has a long tradition of appearing in literature. Dancing allows people to be intimate, almost private, in a public space, it is a good opportunity to converse - used to great effect by Jane Austen for one. All very convenient for moving a… Continue reading After The Deluge… Part 4: Dance

Italian Inspiration Part 2

ponte vecchio bridge Florence

From the home of Machiavelli I have drawn the way in which an individual, without necessarily officially having power, can control the State. Lorenzo the Magnificent ruled early Renaissance Florence through a mixture of patronage, place men, rigged ballots and calculated violence. Yet he officially held no political office. Bronzino and workshop artist QS:P170,Q4233718,P?,Q7803, Lorenzo de Medici,… Continue reading Italian Inspiration Part 2

Why Post-Apocalyptic But NOT Dystopian? Part 4

So, after thinking these thoughts about a possible post-apocalyptic world over the three previous parts, where did I arrive and why did I pursue it as the background to my novel? I have assumed that a global pandemic has wiped out ninety plus percent of the world's population in the early second half of the… Continue reading Why Post-Apocalyptic But NOT Dystopian? Part 4

Why Post-Apocalyptic But NOT Dystopian? Part 3

The other factor in the event of an apocalyptic event or global pandemic would likely be that people turn to religion, most probably in a fairly fundamentalist form. The demands that such a form makes on the individual may make it seem more powerful, more useful, in confronting the disaster. This, I think, is natural… Continue reading Why Post-Apocalyptic But NOT Dystopian? Part 3